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Nader Naderpour ((ペルシア語:نادر نادرپور); June 6, 1929 – February 18, 2000) was an Iranian American poet. Among many Iranian poets who shaped up the New Persian Poetry or New Poetry (in Persian: Sher-e Now), Ali Esfandiari, aka Nima Yooshij, Parviz Natel Khanlari, Nader Naderpor, Forough Farrokhzad, Mehdi Akhavan Saless, Sohrab Sepehri, Feraydoon Moshiri, Siavosh Kasraii, Ahmad Shamloo, Hooshang Ebtehaaj, and Mohammad Reza Shaffii Kadkani are considered to be the most famous, skillful, and professional. Though Nima Yooshij (1896–1960) is known as the Father of New Persian Poetry, aka Nimaii Poetry or Sher-e Nimaii, according to a number of eminent and highly respected literary and poetry scholars Nader Naderpour is considered as the first Iranian poet who opened up exciting vistas of the new Persian poetry. ==Personal life == Nader Naderpour was born on 6 June 1929 in Tehran, Iran. His parents were both fluent in French with a deep love for art, music and history. His father’s name was Taghi Mirza who was a descendant of Reza Gholi Mirza, the oldest son of Nāder Shāh Afshār. The eldest of two brothers and three sisters, Naderpour grew up under the supervisions and cares of his culturally rich parents. His dad, who died when Naderpour was only fourteen, was a skillful painter and also a man familiar to poetry and literature. It was he who taught young Naderpour Persian literature and classic poetry. When he was a preschooler, Naderpour would sit on his father’s lap and be encouraged to read the newspaper every night. His father also had Naderpour memorize old and modern poetry. His mother was a talented player of the string instrument of tar, and she helped Naderpour to develop an appreciation for music. In 1942 during World War II, Naderpour entered Iran-Shahr High School of Tehran. A year later when Iran was occupied by the Allied military forces, Naderpour like many other students of the time, got involved in the field of politics, and he participated in a small nationalist party group. Later he joined the Tudeh Party of Iran (TPI), which became the major Communist Party of the country. Like Nima, Naderpour also published a number of poems in the Journals such as ''People'' (in Persian: ''Mardom''), ''Leader'' (in Persian: ''Rahbar''), and ''Our Iran'' (in Persian: ''Iran-e Maa''), which were all supported by TPI at the time. It is documented that by the time Naderpour was graduated from high school in 1948, he had already left the Party. In fact, since 1946 Naderpour was sad and unhappy over the Iran-Azerbaijan crisis, and like many other nationalist students, he was convinced that Soviet communism could not make any provision for the independent nationalist communist movements in other countries. Subsequently, Naderpour challenged wholeheartedly to ensure that Iran’s parliamentary elections would be open, honest, and fair. He therefore became sympathetic to the National Front (in Persian: Jebheh-e Melli) and its leader, Mohammad Mosaddegh, and other nationalist champions in those elections. In 1950 Naderpour was sent to Paris, France, to continue his education on French Language and Literature at the Sorbonne University. During his stay in Paris, he not only became a freelance writer for various publications but he also wrote for the Third Force Party (in Persian: Nirooy-e Sevoom), which Iranian ideologue and writer Khalil Maleki had established within the umbrella of the National Front in Iran. After receiving his BA degree, Naderpour returned to Tehran and started working in the private sector. In 1960 Naderpour arranged the first modernist Persian poetry reading in Tehran, held at the Cultural Society of Iran & America (in Persian: Anjoman-e Farhangi-e Iran-o Aamrica). Later, he worked as a consultant at the Office of Dramatic Arts of the Ministry of Arts and Culture (in Persian: Vezaarat-e Farhang-o Honar). He was also appointed as the Editor of ''Theater Magazine'' (in Persian: ''Majaleh-e Namayesh''), and as the Editor-in-Chief of the ''Monthly Journal of Art and People'' (in Persian: ''Honar-o Mardom''). In 1964 Naderpour traveled to Europe. In Rome, he continued his studies on the Italian Language and Literature. He also spent sometimes in Paris, studying French cinema, and devoting time to his own poetry. In 1968, Naderpour became one of the thirty or so founding members of the first Association of Writers of Iran (in Persian: Kaanoon-e Nevisandegaan-e Iran). He was also one of its Manifesto’s signatories, along with several other famous Iranian writers and poets. When Jalal Al-e-Ahmad, the driving force behind the Association, died in 1969, the Association chose Naderpour to speak on its behalf at the interment ceremony. For two consecutive years Naderpour was elected as a member of the steering committee for the Association of Writers of Iran. Later on, in 1977, he decided not to participate in the rejuvenation of the Association due to differences of opinion. In 1971, Naderpour took over as the director of Contemporary Literature Department (in Persian: Gorooh-e Adab-e Emrooz) in the National Iranian Radio & Television, where he directed many programs on the life and works of contemporary literary figures. Naderpour fled the Iranian Revolution in 1980 for France and resided there until 1987. He was elected to France’s Authors Association, and participated in several conferences and gatherings. In 1987, he moved to California. During his residence in the United States, Naderpour gave several speeches and lectures at Harvard University, Georgetown University, UCLA, and UC Berkeley. Naderpour was considered as the first Iranian poet who opened up exciting vistas of the new Persian poetry, and he was regarded as one of the leaders of the movement for the New Poetry or Sher-e-Now in Iran and among other Persian speaking nations like Afghanistan, Tajikistan and Pakistan. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Nader Naderpour」の詳細全文を読む スポンサード リンク
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